Time
Capturing the authentic spirit of online lives.
In 2008, Malaysia’s Time staged one of the greatest turnarounds in the country’s history – transforming from a struggling start-up to Malaysia’s challenger Internet Service Provider of choice.
They did this by stripping back to the essentials, delivering fast speeds, rock-solid stability, responsive service, and clear value-for-money – a feat achieved, in part, by massive investment in building their own infrastructure.
Recently, though, Malaysian regulations have changed in a way that will require companies like Time to share their infrastructure with other ISPs. In order to reinforce their position as Malaysia’s most hardworking and beloved ISP, and remind people that they’re more than their great infrastructure, Time needed to evolve their brand to better express how they uniquely understand what Malaysians need from their internet service – and how Time enables that, better than anyone else.
Communications Brand Strategy Brand Identity Brand Voice Typeface Design Illustration Motion
Time
Capturing the authentic spirit of online lives.
In 2008, Malaysia’s Time staged one of the greatest turnarounds in the country’s history – transforming from a struggling start-up to Malaysia’s challenger Internet Service Provider of choice.
They did this by stripping back to the essentials, delivering fast speeds, rock-solid stability, responsive service, and clear value-for-money – a feat achieved, in part, by massive investment in building their own infrastructure.
Recently, though, Malaysian regulations have changed in a way that will require companies like Time to share their infrastructure with other ISPs. In order to reinforce their position as Malaysia’s most hardworking and beloved ISP, and remind people that they’re more than their great infrastructure, Time needed to evolve their brand to better express how they uniquely understand what Malaysians need from their internet service – and how Time enables that, better than anyone else.
Communications Brand Strategy Brand Identity Brand Voice Typeface Design Illustration Motion
Time
Capturing the authentic spirit of online lives.
In 2008, Malaysia’s Time staged one of the greatest turnarounds in the country’s history – transforming from a struggling start-up to Malaysia’s challenger Internet Service Provider of choice.
They did this by stripping back to the essentials, delivering fast speeds, rock-solid stability, responsive service, and clear value-for-money – a feat achieved, in part, by massive investment in building their own infrastructure.
Recently, though, Malaysian regulations have changed in a way that will require companies like Time to share their infrastructure with other ISPs. In order to reinforce their position as Malaysia’s most hardworking and beloved ISP, and remind people that they’re more than their great infrastructure, Time needed to evolve their brand to better express how they uniquely understand what Malaysians need from their internet service – and how Time enables that, better than anyone else.
Communications Brand Strategy Brand Identity Brand Voice Typeface Design Illustration Motion
Time for a new approach
The Time brand had strong market recognition through colour and a distinct, quirky personality expressed through razor–sharp and irreverent communications and campaigns. But to build strategic growth and establish a more sustainable brand platform, they needed a radically-redefined brand with the consistency to cut through in a market saturated with a “more-is-more” visual design, stock photography, and a layering of multiple offers and discounts. To do this, we brought an external perspective to the Malaysian market – but did this in close collaboration with the Time team and partner creatives on the ground in Kuala Lumpur, ensuring we weren’t losing any of the specificity and charm that makes Malaysian culture so rich.
Time for a new approach
The Time brand had strong market recognition through colour and a distinct, quirky personality expressed through razor–sharp and irreverent communications and campaigns. But to build strategic growth and establish a more sustainable brand platform, they needed a radically-redefined brand with the consistency to cut through in a market saturated with a “more-is-more” visual design, stock photography, and a layering of multiple offers and discounts. To do this, we brought an external perspective to the Malaysian market – but did this in close collaboration with the Time team and partner creatives on the ground in Kuala Lumpur, ensuring we weren’t losing any of the specificity and charm that makes Malaysian culture so rich.
Time for a new approach
The Time brand had strong market recognition through colour and a distinct, quirky personality expressed through razor–sharp and irreverent communications and campaigns. But to build strategic growth and establish a more sustainable brand platform, they needed a radically-redefined brand with the consistency to cut through in a market saturated with a “more-is-more” visual design, stock photography, and a layering of multiple offers and discounts. To do this, we brought an external perspective to the Malaysian market – but did this in close collaboration with the Time team and partner creatives on the ground in Kuala Lumpur, ensuring we weren’t losing any of the specificity and charm that makes Malaysian culture so rich.
How we actually spend time on the internet
We all depend on the internet to simply be ourselves. Whether it’s to buy limited-release clothes, learn a skill, game competitively, engage in communities, share our lives, work from home, manage investments, keep up with the latest trends, or manage our homes. The story of the internet is the story of life. This eclectic and humanist reality forms the basis of how Time now talks to its customers. By demonstrating this insight (and getting away from stock photography of people inexplicably jumping with joy whilst carrying around laptops), the new system communicates that Time has a grounded, real-world relationship with providing internet access… and that their products and services are built from that relationship.
How we actually spend time on the internet
We all depend on the internet to simply be ourselves. Whether it’s to buy limited-release clothes, learn a skill, game competitively, engage in communities, share our lives, work from home, manage investments, keep up with the latest trends, or manage our homes. The story of the internet is the story of life. This eclectic and humanist reality forms the basis of how Time now talks to its customers. By demonstrating this insight (and getting away from stock photography of people inexplicably jumping with joy whilst carrying around laptops), the new system communicates that Time has a grounded, real-world relationship with providing internet access… and that their products and services are built from that relationship.
How we actually spend time on the internet
We all depend on the internet to simply be ourselves. Whether it’s to buy limited-release clothes, learn a skill, game competitively, engage in communities, share our lives, work from home, manage investments, keep up with the latest trends, or manage our homes. The story of the internet is the story of life. This eclectic and humanist reality forms the basis of how Time now talks to its customers. By demonstrating this insight (and getting away from stock photography of people inexplicably jumping with joy whilst carrying around laptops), the new system communicates that Time has a grounded, real-world relationship with providing internet access… and that their products and services are built from that relationship.
Clock the newness
Built into the new wordmark is a subtle reference to a clock (with the crossbar of the T and the stem of the I forming the hands, with the dot of the I at the center) – a winking acknowledgement of how valuable time is to customers, and how Time knows never to waste it. Even the things that remained the same got an evolution. Time’s trademark pink is still dominant – albeit now in a different tone, and supported by secondary pinks, purple and blue.
Clock the newness
Built into the new wordmark is a subtle reference to a clock (with the crossbar of the T and the stem of the I forming the hands, with the dot of the I at the center) – a winking acknowledgement of how valuable time is to customers, and how Time knows never to waste it. Even the things that remained the same got an evolution. Time’s trademark pink is still dominant – albeit now in a different tone, and supported by secondary pinks, purple and blue.
Clock the newness
Built into the new wordmark is a subtle reference to a clock (with the crossbar of the T and the stem of the I forming the hands, with the dot of the I at the center) – a winking acknowledgement of how valuable time is to customers, and how Time knows never to waste it. Even the things that remained the same got an evolution. Time’s trademark pink is still dominant – albeit now in a different tone, and supported by secondary pinks, purple and blue.
Sans of Time: A typeface for all
We worked with typographer Mathieu Régeur to create Sans of Time – a custom-designed display typeface that integrates three expressive alternate character weights: LIVE, WORK and PLAY. These alternates communicate different aspects of how we use the internet (such as work, social media and streaming), and consequently are used to enhance a desired tone or message. The typeface has been designed to integrate illustrated letters or complete illustrations that can be injected directly into the headline words, replacing one or more letters. This approach links in to meme culture where messaging and imagery are inextricably linked.
Sans of Time: A typeface for all
We worked with typographer Mathieu Régeur to create Sans of Time – a custom-designed display typeface that integrates three expressive alternate character weights: LIVE, WORK and PLAY. These alternates communicate different aspects of how we use the internet (such as work, social media and streaming), and consequently are used to enhance a desired tone or message. The typeface has been designed to integrate illustrated letters or complete illustrations that can be injected directly into the headline words, replacing one or more letters. This approach links in to meme culture where messaging and imagery are inextricably linked.
Sans of Time: A typeface for all
We worked with typographer Mathieu Régeur to create Sans of Time – a custom-designed display typeface that integrates three expressive alternate character weights: LIVE, WORK and PLAY. These alternates communicate different aspects of how we use the internet (such as work, social media and streaming), and consequently are used to enhance a desired tone or message. The typeface has been designed to integrate illustrated letters or complete illustrations that can be injected directly into the headline words, replacing one or more letters. This approach links in to meme culture where messaging and imagery are inextricably linked.
Local characters
Supporting local artists and creative talent is a key principle of the Time ethos and identity. Malaysian contemporary artists Cloakwork and Shu Yee were engaged to develop illustrations for the brand launch and initial campaigns, bringing their signature styles and cultural expression to the Time brand. The ambition is for the continued support and engagement of established and up-and-coming artists on an ongoing basis, ensuring the brand is always visually fresh and keeping at pace with the internet and culture.
Local characters
Supporting local artists and creative talent is a key principle of the Time ethos and identity. Malaysian contemporary artists Cloakwork and Shu Yee were engaged to develop illustrations for the brand launch and initial campaigns, bringing their signature styles and cultural expression to the Time brand. The ambition is for the continued support and engagement of established and up-and-coming artists on an ongoing basis, ensuring the brand is always visually fresh and keeping at pace with the internet and culture.
Local characters
Supporting local artists and creative talent is a key principle of the Time ethos and identity. Malaysian contemporary artists Cloakwork and Shu Yee were engaged to develop illustrations for the brand launch and initial campaigns, bringing their signature styles and cultural expression to the Time brand. The ambition is for the continued support and engagement of established and up-and-coming artists on an ongoing basis, ensuring the brand is always visually fresh and keeping at pace with the internet and culture.
Voice of the people
While some of the brand language is intended to demonstrate Time’s understanding of internet usage, much of it has another purpose – to counteract the sector’s previously-mentioned penchant for obfuscation. This starts with making things as simple and as clear as possible. From there, Time introduces what we call “radical honesty” – demonstrating our openness and integrity by admitting to the stuff that nobody else would. Is the network only operating 99.9% of the time? Then Time will acknowledge that they’re not (quite) 100% perfect, and that they’re working to fix it. Does a particular service package include a free modem? Where others would call it a “free gift” or “bonus”, Time calls a spade a spade – it’s a bribe. Continuing this maverick spirit is the inclusion (and closer integration) of Time’s trademark, irreverent style of humour. Though the use of English is common in Malaysian communication, Bahasa Malay is also often used, too – so the Brand Voice needed to be flexible enough to accommodate this. To make sure this worked properly in the cultural context, we integrated Malaysians directly into our team – and created guidelines that focused more on style and intent, leaving subject matter up to the locals who know best.
Voice of the people
While some of the brand language is intended to demonstrate Time’s understanding of internet usage, much of it has another purpose – to counteract the sector’s previously-mentioned penchant for obfuscation. This starts with making things as simple and as clear as possible. From there, Time introduces what we call “radical honesty” – demonstrating our openness and integrity by admitting to the stuff that nobody else would. Is the network only operating 99.9% of the time? Then Time will acknowledge that they’re not (quite) 100% perfect, and that they’re working to fix it. Does a particular service package include a free modem? Where others would call it a “free gift” or “bonus”, Time calls a spade a spade – it’s a bribe. Continuing this maverick spirit is the inclusion (and closer integration) of Time’s trademark, irreverent style of humour. Though the use of English is common in Malaysian communication, Bahasa Malay is also often used, too – so the Brand Voice needed to be flexible enough to accommodate this. To make sure this worked properly in the cultural context, we integrated Malaysians directly into our team – and created guidelines that focused more on style and intent, leaving subject matter up to the locals who know best.
Voice of the people
While some of the brand language is intended to demonstrate Time’s understanding of internet usage, much of it has another purpose – to counteract the sector’s previously-mentioned penchant for obfuscation. This starts with making things as simple and as clear as possible. From there, Time introduces what we call “radical honesty” – demonstrating our openness and integrity by admitting to the stuff that nobody else would. Is the network only operating 99.9% of the time? Then Time will acknowledge that they’re not (quite) 100% perfect, and that they’re working to fix it. Does a particular service package include a free modem? Where others would call it a “free gift” or “bonus”, Time calls a spade a spade – it’s a bribe. Continuing this maverick spirit is the inclusion (and closer integration) of Time’s trademark, irreverent style of humour. Though the use of English is common in Malaysian communication, Bahasa Malay is also often used, too – so the Brand Voice needed to be flexible enough to accommodate this. To make sure this worked properly in the cultural context, we integrated Malaysians directly into our team – and created guidelines that focused more on style and intent, leaving subject matter up to the locals who know best.
“With our brand revitalisation, we knew it was never going to be smooth sailing. There were (and still are) detractors and naysayers aplenty. More importantly, from the local investment community, our rebrand has directly resulted in an upgrade in our target price, cementing Time as the top pick in the telco sector. Do what you think is right. Never what’s easy.”
— Andrew Yeoh, Head of Marketing
“With our brand revitalisation, we knew it was never going to be smooth sailing. There were (and still are) detractors and naysayers aplenty. More importantly, from the local investment community, our rebrand has directly resulted in an upgrade in our target price, cementing Time as the top pick in the telco sector. Do what you think is right. Never what’s easy.”
— Andrew Yeoh, Head of Marketing
“With our brand revitalisation, we knew it was never going to be smooth sailing. There were (and still are) detractors and naysayers aplenty. More importantly, from the local investment community, our rebrand has directly resulted in an upgrade in our target price, cementing Time as the top pick in the telco sector. Do what you think is right. Never what’s easy.”
— Andrew Yeoh, Head of Marketing
Time for business
Time doesn’t just serve general consumers. They also have a range of data and connectivity services, and serve both SME and Enterprise-level organisations. Accordingly, the brand is designed to modulate its tone based on audience. It’s never entirely without forthrightness and charm – after all, business people are people first-and-foremost, and don’t appreciate needless jargon or empty platitudes any more than anybody else. Even when dealing with the biggest businesses, Time is still Time – but with an appropriate (and earned) aura of professionalism and wisdom.
Time for business
Time doesn’t just serve general consumers. They also have a range of data and connectivity services, and serve both SME and Enterprise-level organisations. Accordingly, the brand is designed to modulate its tone based on audience. It’s never entirely without forthrightness and charm – after all, business people are people first-and-foremost, and don’t appreciate needless jargon or empty platitudes any more than anybody else. Even when dealing with the biggest businesses, Time is still Time – but with an appropriate (and earned) aura of professionalism and wisdom.
Time for business
Time doesn’t just serve general consumers. They also have a range of data and connectivity services, and serve both SME and Enterprise-level organisations. Accordingly, the brand is designed to modulate its tone based on audience. It’s never entirely without forthrightness and charm – after all, business people are people first-and-foremost, and don’t appreciate needless jargon or empty platitudes any more than anybody else. Even when dealing with the biggest businesses, Time is still Time – but with an appropriate (and earned) aura of professionalism and wisdom.
What happened next…
$250M USD added
to market cap since rebrand.
52-week high
in share price following rebrand.
Revenue up 24%
post-rebrand, becoming the fastest growing telco in Malaysia.
RHB Invest top pick
in the telecom sector, with the rebrand as the headline catalyst.
Credits
Recognition
A big thank you to Afzal, Andrew, Ian, Irene, Weng Wye, See Mun and the rest of the team at TIME — we appreciate you introducing us to Malaysia's culture, and guiding us through the terribly technical territory of telecommunications.
We'd happily do it again, time after time.
Strategy
Damian Borchok, Matt Pearce
Storytelling
Mat Groom, Daniel St Vincent
Design
Jason Little, Alexis Waller, Mac Archibald, Joseph Dennis, , Atsaya Gabiryalpillai, Dash O’Brien Georgeson, Emma Turney
Account
Mabel Tu, Farah Smurthwaite
Typeface Design
Mathieu Réguer, Joseph Dennis
Brand Illustrations
Chern Loo, Shu Yee
Brand Video
Animation, Illustration – Never Sit Still
Brand Illustrations – Chern Loo, Shu Yee
Sound Design – Smith & Western
Awards
D&AD
Awards
Wood Pencil – Branding (Large Enterprise, Logos)
Shortlist – Branding (Large Enterprise, Brand Refresh)
AGDA
Awards
Distinction – Brand and Identity (Large Business)
Merit – Brand and Identity (Logos)
Merit – Design Crafts (Typefaces)
Merit – Design Crafts (Typography for Design)
Merit – Motion (Motion Branding)
Best
Awards
Bronze – Large Brand Identity
Transform Awards
ANZ
Gold – Best Use of Typography
Gold – Best Visual Identity (Energy and Utilities)
Credits
Recognition
A big thank you to Afzal, Andrew, Ian, Irene, Weng Wye, See Mun and the rest of the team at TIME — we appreciate you introducing us to Malaysia's culture, and guiding us through the terribly technical territory of telecommunications.
We'd happily do it again, time after time.
Strategy
Damian Borchok, Matt Pearce
Storytelling
Mat Groom, Daniel St Vincent
Design
Jason Little, Alexis Waller, Mac Archibald, Joseph Dennis, , Atsaya Gabiryalpillai, Dash O’Brien Georgeson, Emma Turney
Account
Mabel Tu, Farah Smurthwaite
Typeface Design
Mathieu Réguer, Joseph Dennis
Brand Illustrations
Chern Loo, Shu Yee
Brand Video
Animation, Illustration – Never Sit Still
Brand Illustrations – Chern Loo, Shu Yee
Sound Design – Smith & Western
Awards
D&AD
Awards
Wood Pencil – Branding (Large Enterprise, Logos)
Shortlist – Branding (Large Enterprise, Brand Refresh)
AGDA
Awards
Distinction – Brand and Identity (Large Business)
Merit – Brand and Identity (Logos)
Merit – Design Crafts (Typefaces)
Merit – Design Crafts (Typography for Design)
Merit – Motion (Motion Branding)
Best
Awards
Bronze – Large Brand Identity
Transform Awards
ANZ
Gold – Best Use of Typography
Gold – Best Visual Identity (Energy and Utilities)
A big thank you to Afzal, Andrew, Ian, Irene, Weng Wye, See Mun and the rest of the team at TIME — we appreciate you introducing us to Malaysia's culture, and guiding us through the terribly technical territory of telecommunications.
We'd happily do it again, time after time.
Strategy
Damian Borchok, Matt Pearce
Storytelling
Mat Groom, Daniel St Vincent
Design
Jason Little, Alexis Waller, Mac Archibald, Joseph Dennis, , Atsaya Gabiryalpillai, Dash O’Brien Georgeson, Emma Turney
Account
Mabel Tu, Farah Smurthwaite
Typeface Design
Mathieu Réguer, Joseph Dennis
Brand Illustrations
Chern Loo, Shu Yee
Brand Video
Animation, Illustration – Never Sit Still
Brand Illustrations – Chern Loo, Shu Yee
Sound Design – Smith & Western
Recognition
Awards
D&AD
Awards
Wood Pencil – Branding (Large Enterprise, Logos)
Shortlist – Branding (Large Enterprise, Brand Refresh)
AGDA
Awards
Distinction – Brand and Identity (Large Business)
Merit – Brand and Identity (Logos)
Merit – Design Crafts (Typefaces)
Merit – Design Crafts (Typography for Design)
Merit – Motion (Motion Branding)
Best
Awards
Bronze – Large Brand Identity
Transform Awards
ANZ
Gold – Best Use of Typography
Gold – Best Visual Identity (Energy and Utilities)
Menu
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Acknowledgement of Country
The For The People team are spread across the world – but the majority of us currently live on the land known most commonly today as “Australia”. This land has been home to designers, artists, storytellers and planners for tens-of-thousands of years – so our time contributing to these crafts constitutes only a near-infinitesimally small fraction of that history. It’s with profound admiration and deep respect, then, that we acknowledge Aboriginal and Torres Strait Islander peoples as the First Peoples of this country and extend that respect to Elders past and present. They shaped (and continue to shape) the history of this land, they cared for (and continue to care for) its natural environment, and they never ceded its sovereignty. It always was, and always will be, Aboriginal land.
Acknowledgement of Diversity
All fields are improved by diversity – but that's especially true for creativity. We welcome everyone – the neurodiverse, members of the LGBTQI+ community, all (legal working) ages, all ethnicities, all genders, parents, those from unconvential educational backgrounds, people with disability – because we believe both our work and our workplace are improved by diversity of thought and perspective, which can only truly come from diversity of culture and experience. Having said that, we also know we can't simply reap the benefits of diversity without reckoning with the inequities so often suffered by less represented communities. We work to be mindful of our biases, to incorporate proactive representation into our processes, and elevate marginalised voices in our work. It's a forever-ongoing–and–improving process – but it's non-negotiable when you're building an agency that's For The People.
Designed and built by For the People ©2025
Acknowledgement of Country
The For The People team are spread across the world – but the majority of us currently live on the land known most commonly today as “Australia”. This land has been home to designers, artists, storytellers and planners for tens-of-thousands of years – so our time contributing to these crafts constitutes only a near-infinitesimally small fraction of that history. It’s with profound admiration and deep respect, then, that we acknowledge Aboriginal and Torres Strait Islander peoples as the First Peoples of this country and extend that respect to Elders past and present. They shaped (and continue to shape) the history of this land, they cared for (and continue to care for) its natural environment, and they never ceded its sovereignty. It always was, and always will be, Aboriginal land.
Acknowledgement of Diversity
All fields are improved by diversity – but that's especially true for creativity. We welcome everyone – the neurodiverse, members of the LGBTQI+ community, all (legal working) ages, all ethnicities, all genders, parents, those from unconvential educational backgrounds, people with disability – because we believe both our work and our workplace are improved by diversity of thought and perspective, which can only truly come from diversity of culture and experience. Having said that, we also know we can't simply reap the benefits of diversity without reckoning with the inequities so often suffered by less represented communities. We work to be mindful of our biases, to incorporate proactive representation into our processes, and elevate marginalised voices in our work. It's a forever-ongoing–and–improving process – but it's non-negotiable when you're building an agency that's For The People.
Designed and built by For the People ©2025
Acknowledgement of Country
The For The People team are spread across the world – but the majority of us currently live on the land known most commonly today as “Australia”. This land has been home to designers, artists, storytellers and planners for tens-of-thousands of years – so our time contributing to these crafts constitutes only a near-infinitesimally small fraction of that history. It’s with profound admiration and deep respect, then, that we acknowledge Aboriginal and Torres Strait Islander peoples as the First Peoples of this country and extend that respect to Elders past and present. They shaped (and continue to shape) the history of this land, they cared for (and continue to care for) its natural environment, and they never ceded its sovereignty. It always was, and always will be, Aboriginal land.
Acknowledgement of Diversity